Reviews
DIZZY, directed and co-written by Zac La Roc, is an electrifying snapshot of adolescence in overdrive — a hallucinatory joyride through the chaos, danger, and beauty of being young, reckless, and free.
Set in a sun-bleached, late-night suburbia, the film follows best friends Dylan and Lizzy as they steal a car, drop acid, and careen through a wild nine-hour odyssey that blurs the line between thrill and fallout. Sydney Taylor and Hannah Kepple are magnetic in their chemistry, grounding the film’s neon-lit madness with warmth, vulnerability, and the unspoken bond of two souls trying to escape the gravity of growing up.
Visually, DIZZY is a triumph. Cinematographer Daniel Contaldo captures the San Fernando Valley with a tactile mix of grit and gloss — streetlights streak across the windshield like comets, the night pulses with sound and saturated color, and every frame hums with kinetic energy. The editing by Bella Erikson keeps the pace tight and immersive, mirroring the head-spinning rhythm of the characters’ trip.
La Roc’s direction channels the spirit of Harmony Korine and Spike Jonze, weaving documentary realism with dreamlike intensity. What begins as a chaotic escapade gradually reveals itself as something more intimate — a love letter to the messy, beautiful contradictions of youth. There’s humor, danger, euphoria, and heartbreak all tangled together, and La Roc balances it with remarkable restraint and empathy.
Underneath the film’s candy-colored chaos lies a poignant nostalgia for a time before screens filtered our experiences — when friendship, rebellion, and discovery were lived in the moment. DIZZY doesn’t just depict youth; it feels like youth: dizzying, fleeting, and impossible to pin down.
Shot in just three nights with fearless energy and precision, DIZZY is a rush of pure cinematic adrenaline — and a testament to the power of collaboration, instinct, and honesty in storytelling.
A festival standout: raw, funny, visually stunning, and deeply alive.
Set in a sun-bleached, late-night suburbia, the film follows best friends Dylan and Lizzy as they steal a car, drop acid, and careen through a wild nine-hour odyssey that blurs the line between thrill and fallout. Sydney Taylor and Hannah Kepple are magnetic in their chemistry, grounding the film’s neon-lit madness with warmth, vulnerability, and the unspoken bond of two souls trying to escape the gravity of growing up.
Visually, DIZZY is a triumph. Cinematographer Daniel Contaldo captures the San Fernando Valley with a tactile mix of grit and gloss — streetlights streak across the windshield like comets, the night pulses with sound and saturated color, and every frame hums with kinetic energy. The editing by Bella Erikson keeps the pace tight and immersive, mirroring the head-spinning rhythm of the characters’ trip.
La Roc’s direction channels the spirit of Harmony Korine and Spike Jonze, weaving documentary realism with dreamlike intensity. What begins as a chaotic escapade gradually reveals itself as something more intimate — a love letter to the messy, beautiful contradictions of youth. There’s humor, danger, euphoria, and heartbreak all tangled together, and La Roc balances it with remarkable restraint and empathy.
Underneath the film’s candy-colored chaos lies a poignant nostalgia for a time before screens filtered our experiences — when friendship, rebellion, and discovery were lived in the moment. DIZZY doesn’t just depict youth; it feels like youth: dizzying, fleeting, and impossible to pin down.
Shot in just three nights with fearless energy and precision, DIZZY is a rush of pure cinematic adrenaline — and a testament to the power of collaboration, instinct, and honesty in storytelling.
A festival standout: raw, funny, visually stunning, and deeply alive.
Dizzy
2025 Yearly Run Participant
Marcelo’s Phantom is an evocative and unsettling short film that peels back the layers of artistic obsession in the digital age. Written and directed by Macarena Doldán Aristizábal, the film follows Marcelo, a writer whose fascination with strangers becomes an all-consuming fixation after a fleeting encounter on a city bus. What begins as quiet curiosity morphs into a haunting portrait of a man unraveling under the weight of his own need to understand—and to control—the stories around him.
Gerardo Farfán’s performance as Marcelo is extraordinary in its restraint. He captures the writer’s slow descent from curiosity to mania with delicate nuance, using stillness, silence, and the smallest shifts in expression to convey obsession’s creeping advance. The supporting cast subtly reinforces his isolation, their brief interactions with him echoing the distance and voyeurism that define his world.
Visually, the film is striking. The cinematography by Victoria Cvjetkovich, Alan Gabriel Diaz, Galo Gawlik, and Luz Mobarac Sequeira transforms ordinary urban spaces into psychological landscapes—dimly lit buses, narrow hallways, and shadow-filled rooms that mirror Marcelo’s narrowing perception of reality. Each frame feels carefully composed to blur the line between the external world and his inner delirium.
Aristizábal’s direction is confident, precise, and deeply empathetic. She resists sensationalism, opting instead for subtle tension and emotional realism. The result is a film that feels intimate and eerie in equal measure—a study of what happens when the pursuit of inspiration crosses ethical and emotional boundaries.
Marcelo’s Phantom succeeds not only as a character study but also as a mirror held up to our own culture of observation. In an era where we constantly watch and are watched, Aristizábal’s film reminds us of the cost of knowing too much, and of losing ourselves in the stories we chase.
A visually elegant and psychologically rich debut, Marcelo’s Phantom marks Macarena Doldán Aristizábal as a filmmaker of rare sensitivity and precision—one unafraid to explore the darkness that lies between curiosity and compulsion.
Marcelo's Phantom
2025 Yearly Run Participant
At once intimate and mythic, this screenplay masterfully intertwines the grief of a fractured family with the shadowy presence of gods, demons, and the lingering scars of trauma. The story follows Talisa, a young girl caught between loss, memory, and the desperate hope that her sister is still alive. When custody battles and social services threaten to dictate her fate, Talisa’s world collides with Elysian Falls — a seemingly idyllic town that hides ancient, dangerous forces beneath its polished exterior.
The script’s greatest strength lies in its tonal balance. On one side, it captures the raw human drama of foster care, guardianship, and the fragile resilience of a child searching for truth. On the other, it expands into a supernatural allegory, weaving Thanatos, Kalantaka, and Melantheia into the fabric of contemporary life. These figures, rendered not as distant mythic archetypes but as dangerously intimate presences, embody grief, temptation, and the struggle for control.
Structurally, the work builds tension with precision. The courtroom scenes provide a grounded realism, layered with themes of faith, power, and systemic struggle, while the supernatural undercurrents suggest a wider, more terrifying fate awaiting the characters. By Act V, the emotional threads converge: Talisa’s fragile hope collides with the revelation of Hannah’s death, Rebecca’s protective pragmatism, and Thanatos’ unsettling presence in the café. The moment where Talisa glimpses his rotting form is a chilling payoff, signaling that personal trauma and cosmic dread are inextricably linked.
Thematically, the screenplay grapples with the weight of memory, the ambiguity of truth, and the inevitability of change. Talisa’s insistence on Hannah’s survival functions both as a child’s coping mechanism and as a metaphor for humanity’s refusal to let go of the past. The adults around her — Rebecca, Samantha, Jessica — embody conflicting roles of protector, manipulator, and bureaucrat, mirroring how institutions can both shelter and betray.
Visually and atmospherically, the script promises striking cinematic potential. The juxtaposition of mundane spaces — a group home office, a courtroom, a small-town café — with the intrusion of mythic horror sets the stage for an unsettling yet emotionally resonant viewing experience. Its small-town Americana aesthetic, punctured by moments of supernatural revelation, evokes both gothic dread and modern drama.
This screenplay stands out as an ambitious hybrid: part social realist drama, part supernatural thriller, and part allegorical meditation on loss. It is a story where the mundane and the mythic collide, where the struggles of a young girl reverberate against forces far older and darker than she can comprehend. For a festival audience, it offers not only suspense and atmosphere but also a poignant reflection on grief, survival, and the human need to find hope in even the darkest of places.
Elysian Falls
2025 Yearly Run Participant
The Back Garden is a taut, beautifully acted psychological thriller that lingers long after the credits roll. Director Pat Bradley crafts an intimate and unsettling atmosphere in a deceptively tranquil suburban garden, turning it into the perfect stage for an emotional storm.
Melanie Gretchen delivers a raw and nuanced performance as Lorenz, a woman trying to move on from a painful past, only to find her peace shattered by old wounds that refuse to stay buried. Her portrayal is magnetic — subtle when it needs to be, and explosive when the character’s pain breaks through. The dynamic between Gretchen, Ryan Wesen, and Bryan Harlow crackles with tension, making every glance and silence feel significant.
The cinematography makes excellent use of the confined setting, heightening the sense of claustrophobia as the past literally intrudes on the present. The sound design and score add to the unease, drawing the audience into Lorenz’s fragile psyche.
What makes The Back Garden so compelling is how it manages to explore deep themes — trauma, forgiveness, and self-sabotage — without ever feeling preachy. It’s a story that’s as much about what’s unsaid as what’s spoken, and that restraint makes its emotional punches land even harder.
This is an impressive short film that proves you don’t need a huge budget or sprawling locations to tell a powerful story. With its layered writing, strong performances, and eerie beauty, The Back Garden establishes Pat Bradley and Melanie Gretchen as talents to watch.
Highly recommended for fans of psychological dramas and intimate character studies.
The Back Garden
2025 Yearly Run Participant
"Highrise," written by Mattia Passaro, is a compelling screenplay that explores themes of trauma, revenge, and the quest for redemption. Set against the vibrant backdrop of a 1960s jazz lounge, the story unfolds primarily through the eyes of the protagonist, Mary Miller, whose internal struggles are palpably conveyed through the dialogue and richly drawn scenes.
Strengths:
Character Depth: Mary is a well-crafted character whose complexities are unveiled gradually. Her journey from a broken woman to someone seeking empowerment resonates deeply with audiences. The portrayal of her trauma and the way it manifests in her present life is handled with sensitivity and depth.
Atmospheric Setting: The Highrise Jazz Lounge serves as a character in its own right, with its lively ambiance contrasting sharply with Mary’s internal turmoil. The vivid descriptions of the lounge, combined with the music, create a rich sensory experience that immerses the reader in the world Passaro has created.
Tension and Conflict: The screenplay skillfully builds tension, particularly in scenes that involve Mary's past and her interactions with Richard, the antagonist. The stakes are high, and the impending sense of danger keeps the audience engaged. The climactic moments are intense and poignant, leading to a powerful resolution.
Themes of Guilt and Redemption: The screenplay delves into complex themes such as guilt, the cyclical nature of violence, and the struggle for redemption. Mary's interactions with Joseph and her ultimate choices reflect her desire to break free from her past and seek a better future
Areas for Improvement:
Pacing: While the character development is strong, some sections of the screenplay can feel drawn out, particularly in the middle acts. Tightening the pacing in certain scenes could enhance the overall flow and maintain engagement.
Dialogue: While most of the dialogue feels authentic and serves the narrative well, there are moments where it could benefit from greater subtlety. Some exchanges feel a bit on-the-nose, and refining them could add to the realism and emotional impact.
Secondary Characters: While Mary's character is thoroughly explored, some of the supporting characters, like Boyd and Meryl, could be developed further. Providing more backstory or motivation for these characters could enrich the narrative and create a more interconnected ensemble
Overall, "Highrise" is a thought-provoking screenplay that offers a gripping exploration of trauma, empowerment, and the quest for closure. Mattia Passaro has crafted a poignant story that balances emotional depth with atmospheric storytelling. With some refinement in pacing and dialogue, this screenplay has the potential to resonate powerfully on screen. It is a commendable piece of work that could captivate both audiences and critics alike.
Strengths:
Character Depth: Mary is a well-crafted character whose complexities are unveiled gradually. Her journey from a broken woman to someone seeking empowerment resonates deeply with audiences. The portrayal of her trauma and the way it manifests in her present life is handled with sensitivity and depth.
Atmospheric Setting: The Highrise Jazz Lounge serves as a character in its own right, with its lively ambiance contrasting sharply with Mary’s internal turmoil. The vivid descriptions of the lounge, combined with the music, create a rich sensory experience that immerses the reader in the world Passaro has created.
Tension and Conflict: The screenplay skillfully builds tension, particularly in scenes that involve Mary's past and her interactions with Richard, the antagonist. The stakes are high, and the impending sense of danger keeps the audience engaged. The climactic moments are intense and poignant, leading to a powerful resolution.
Themes of Guilt and Redemption: The screenplay delves into complex themes such as guilt, the cyclical nature of violence, and the struggle for redemption. Mary's interactions with Joseph and her ultimate choices reflect her desire to break free from her past and seek a better future
Areas for Improvement:
Pacing: While the character development is strong, some sections of the screenplay can feel drawn out, particularly in the middle acts. Tightening the pacing in certain scenes could enhance the overall flow and maintain engagement.
Dialogue: While most of the dialogue feels authentic and serves the narrative well, there are moments where it could benefit from greater subtlety. Some exchanges feel a bit on-the-nose, and refining them could add to the realism and emotional impact.
Secondary Characters: While Mary's character is thoroughly explored, some of the supporting characters, like Boyd and Meryl, could be developed further. Providing more backstory or motivation for these characters could enrich the narrative and create a more interconnected ensemble
Overall, "Highrise" is a thought-provoking screenplay that offers a gripping exploration of trauma, empowerment, and the quest for closure. Mattia Passaro has crafted a poignant story that balances emotional depth with atmospheric storytelling. With some refinement in pacing and dialogue, this screenplay has the potential to resonate powerfully on screen. It is a commendable piece of work that could captivate both audiences and critics alike.
HIGHRISE
2025 Yearly Run Participant
In Feel Proud Walk Tall. A Photographer’s Journey, Matt Reed steps out from behind the camera to tell his own story—a rare and intimate move for a seasoned commercial photographer more accustomed to highlighting others. What unfolds is not just a documentary, but a creative self-reckoning: a deeply personal exploration of purpose, identity, and the transformative power of meaningful work.
The film traces Reed’s evolution from a humble upbringing on an Australian farm to the polished world of commercial photography, where over 5,000 photoshoots mark his industrious path. Yet beneath the impressive numbers and the polished client work lies a man increasingly unsettled by the transactional nature of the images he was producing. As Reed confesses early in the film, he often wouldn’t buy the work he was being paid to create. This dissonance sets the emotional tone of the film, building toward the pivotal moment that changed everything: a spontaneous portrait of a man named Mark, taken during a remote shoot. That image, raw and unfiltered, revealed a truth Reed had been seeking—photography as a tool not just for selling, but for seeing and honoring.
Director, subject, and narrator, Reed carries the film with an earnestness that avoids vanity. He doesn’t posture or over-dramatize. Instead, he allows his journey to unfold through quiet reflection, grounded interviews, and visual storytelling that mirrors his photographic aesthetic—clean, honest, and people-first. The documentary’s structure is simple but effective, moving chronologically through Reed’s career while layering insights about creative burnout, the tension between commerce and art, and the power of authenticity.
What makes Feel Proud Walk Tall stand out is its refusal to glamorize hustle culture. This isn’t a tale of meteoric success or industry accolades—it’s a story about rediscovering why you started. Reed’s pivot toward creating “imagery that helps the people in front of the camera” is both a personal and philosophical statement. It challenges viewers—especially fellow creatives—to reconsider what it means to do work that matters.
The film also subtly introduces Reed’s emerging venture into branded films for businesses and nonprofits, connecting his story to a broader mission: empowering others to tell their own. While this could have felt like a promotional plug, it’s handled with transparency and humility, aligning naturally with the themes of purpose and representation.
In just 42 minutes, Feel Proud Walk Tall achieves what many longer documentaries fail to do—it inspires without preaching, reflects without self-indulgence, and invites rather than instructs. It’s a quiet, powerful portrait of an artist finding his way back to himself and choosing, finally, to make something he’d be proud to buy.
Verdict: ★ ★ ★ ★ ★ — A heartfelt and beautifully honest film about the creative journey, Feel Proud Walk Tall is essential viewing for photographers, filmmakers, and anyone navigating the search for meaningful work.
The film traces Reed’s evolution from a humble upbringing on an Australian farm to the polished world of commercial photography, where over 5,000 photoshoots mark his industrious path. Yet beneath the impressive numbers and the polished client work lies a man increasingly unsettled by the transactional nature of the images he was producing. As Reed confesses early in the film, he often wouldn’t buy the work he was being paid to create. This dissonance sets the emotional tone of the film, building toward the pivotal moment that changed everything: a spontaneous portrait of a man named Mark, taken during a remote shoot. That image, raw and unfiltered, revealed a truth Reed had been seeking—photography as a tool not just for selling, but for seeing and honoring.
Director, subject, and narrator, Reed carries the film with an earnestness that avoids vanity. He doesn’t posture or over-dramatize. Instead, he allows his journey to unfold through quiet reflection, grounded interviews, and visual storytelling that mirrors his photographic aesthetic—clean, honest, and people-first. The documentary’s structure is simple but effective, moving chronologically through Reed’s career while layering insights about creative burnout, the tension between commerce and art, and the power of authenticity.
What makes Feel Proud Walk Tall stand out is its refusal to glamorize hustle culture. This isn’t a tale of meteoric success or industry accolades—it’s a story about rediscovering why you started. Reed’s pivot toward creating “imagery that helps the people in front of the camera” is both a personal and philosophical statement. It challenges viewers—especially fellow creatives—to reconsider what it means to do work that matters.
The film also subtly introduces Reed’s emerging venture into branded films for businesses and nonprofits, connecting his story to a broader mission: empowering others to tell their own. While this could have felt like a promotional plug, it’s handled with transparency and humility, aligning naturally with the themes of purpose and representation.
In just 42 minutes, Feel Proud Walk Tall achieves what many longer documentaries fail to do—it inspires without preaching, reflects without self-indulgence, and invites rather than instructs. It’s a quiet, powerful portrait of an artist finding his way back to himself and choosing, finally, to make something he’d be proud to buy.
Verdict: ★ ★ ★ ★ ★ — A heartfelt and beautifully honest film about the creative journey, Feel Proud Walk Tall is essential viewing for photographers, filmmakers, and anyone navigating the search for meaningful work.
Feel Proud Walk Tall. A Photographer's Journey
2025 Yearly Run Participant
«The Accident» is a deeply emotional and powerful story that sheds light on how some people struggle to cope with the loss of loved ones. Not everyone can easily move on after such a traumatic event. The narrative crafted by Thierry Obadia and Oksana Chefranova rings true, capturing the emotional turmoil that often pushes individuals into psychological turmoil, a burden that many are simply not equipped to handle alone.
What stands out in «The Accident» are the strengths that help overcome some of the common challenges faced by independent projects. First, a big round of applause goes to Charlotte Arquier, who takes on a difficult role with remarkable skill. The character she portrays is complex, and creating a natural connection with the audience is no small feat, especially in a grounded film like this, which resonates with so many personal stories. In our view, Charlotte Arquier nails it — her emotional range pulls the audience in, taking them on the intended journey.
Another standout aspect of Thierry and Oksana's work is the thoughtful use of color, which shifts to match the progression of the story. This subtle technique adds an emotional depth to the scenes, helping guide the audience’s feelings. It’s a smart decision that enhances the storytelling, adding an extra layer of impact. While the film’s musical score may not be extensive, it’s used sparingly, making its appearances all the more poignant. In a film rooted in naturalism, this restrained approach works perfectly, never overwhelming the narrative but always aligning with the right moments.
To wrap up, «The Accident» is a well-crafted independent project. Sure, it has its flaws that could have made the film even better, but it’s the core idea and the passion poured into the work that truly shine through. We’re excited to see what more Thierry and Oksana have in store for us in the future!
What stands out in «The Accident» are the strengths that help overcome some of the common challenges faced by independent projects. First, a big round of applause goes to Charlotte Arquier, who takes on a difficult role with remarkable skill. The character she portrays is complex, and creating a natural connection with the audience is no small feat, especially in a grounded film like this, which resonates with so many personal stories. In our view, Charlotte Arquier nails it — her emotional range pulls the audience in, taking them on the intended journey.
Another standout aspect of Thierry and Oksana's work is the thoughtful use of color, which shifts to match the progression of the story. This subtle technique adds an emotional depth to the scenes, helping guide the audience’s feelings. It’s a smart decision that enhances the storytelling, adding an extra layer of impact. While the film’s musical score may not be extensive, it’s used sparingly, making its appearances all the more poignant. In a film rooted in naturalism, this restrained approach works perfectly, never overwhelming the narrative but always aligning with the right moments.
To wrap up, «The Accident» is a well-crafted independent project. Sure, it has its flaws that could have made the film even better, but it’s the core idea and the passion poured into the work that truly shine through. We’re excited to see what more Thierry and Oksana have in store for us in the future!
The Accident
2025 Yearly Run Participant
“Miss Dress” is the debut work of the Greek director Panos Boras, who, despite the status of his first project, takes on a very acute and relevant topic, the approach to which requires a thorough understanding of what idea you want to convey to the viewer, as well as what opinion you want to question.
The “Miss Dress” project is not based on a completely natural and down-to-earth story, rather we can observe a kind of surreal and theatrical work that finds itself in a certain fictional little world, where the main character of the film struggles with internal emotional and psychological problems, because throughout his life he has not been completely himself. But now he gets a chance to show himself as he feels himself.
In general, the whole allegory is clear and accessible for understanding if you start delving into the project from the first second. The main calling card of the film is the theatrical atmosphere of the project, bright outfits and the charm of some fictional event that is here and now, which exists on its own without the outside world.
The film's strong points include the amazing acting by Tzortzis Papadopoulos, who handled the deeply emotional role very organically. One cannot help but note his stunning appearance, his magnificent eyes, which carry a very wide range of emotions and play into his hands, in his acting skills.
The neon tones give the film a very mysterious, slightly magical charm, creating the illusion of fiction, which broadcasts a very lifelike story, but does so within the framework of a small fictional world, which the viewer is invited to immerse himself in. The project ends with a stunning original song, which magnificently lowers the curtain and puts an end to this original and very unusual film.
The “Miss Dress” project is not based on a completely natural and down-to-earth story, rather we can observe a kind of surreal and theatrical work that finds itself in a certain fictional little world, where the main character of the film struggles with internal emotional and psychological problems, because throughout his life he has not been completely himself. But now he gets a chance to show himself as he feels himself.
In general, the whole allegory is clear and accessible for understanding if you start delving into the project from the first second. The main calling card of the film is the theatrical atmosphere of the project, bright outfits and the charm of some fictional event that is here and now, which exists on its own without the outside world.
The film's strong points include the amazing acting by Tzortzis Papadopoulos, who handled the deeply emotional role very organically. One cannot help but note his stunning appearance, his magnificent eyes, which carry a very wide range of emotions and play into his hands, in his acting skills.
The neon tones give the film a very mysterious, slightly magical charm, creating the illusion of fiction, which broadcasts a very lifelike story, but does so within the framework of a small fictional world, which the viewer is invited to immerse himself in. The project ends with a stunning original song, which magnificently lowers the curtain and puts an end to this original and very unusual film.
Miss Dress
“Relieved” by Luis Alcaráz is a very original and creative project that does not stand out for its technical excellence, but attracts with its simplicity and ease, placing a strong emphasis on the acting talent of the main characters and the absurdity of the story in which they find themselves.
First of all, of course, the strong points of the project include the excellent acting of Eleazar del Valle as Pepe and Jesus Schettino as Bebo, two homeless vagabonds who found themselves in a very realistic dream, or maybe it was not a dream ...
Both actors perfectly embodied the image of two desperate homeless men who, in addition to the complexity of their situation, also managed to get captured by bandits, realizing that they are most likely waiting for death, they begin to show a variety of emotions, which Eleazar and Jesus convey perfectly.
Luis Arcaraz has a simple, but energetic and lively plot that does not tire, but on the contrary entertains the viewer with its ease and simplicity. Such cinema easily attracts, creating the effect of quick relaxation, which is a successful formula for conquering the big screens.
Despite various technical nuances, “Relived” is already rightfully considered a strong participant in our competition and will certainly feel confident among even the most heavyweight projects, because such original cinema and talented actors are becoming a great rarity in our time!
First of all, of course, the strong points of the project include the excellent acting of Eleazar del Valle as Pepe and Jesus Schettino as Bebo, two homeless vagabonds who found themselves in a very realistic dream, or maybe it was not a dream ...
Both actors perfectly embodied the image of two desperate homeless men who, in addition to the complexity of their situation, also managed to get captured by bandits, realizing that they are most likely waiting for death, they begin to show a variety of emotions, which Eleazar and Jesus convey perfectly.
Luis Arcaraz has a simple, but energetic and lively plot that does not tire, but on the contrary entertains the viewer with its ease and simplicity. Such cinema easily attracts, creating the effect of quick relaxation, which is a successful formula for conquering the big screens.
Despite various technical nuances, “Relived” is already rightfully considered a strong participant in our competition and will certainly feel confident among even the most heavyweight projects, because such original cinema and talented actors are becoming a great rarity in our time!
Relived
2024 Yearly Run Semi-Finalist
Often, even the most social people are the loneliest. A person’s media cover does not always speak about the state of his soul, his inner world, or what is actually happening in a person’s life. The progressive world has taught us to pretend. You can argue on this topic as much as you like, but in 90% of cases, people on social networks have completely different personalities compared to what they are on the other side of the screen. This does not mean that people are two-faced or hypocritical, although there are certainly such examples, but this first of all suggests that social networks force people to pretend, psychologically influencing the subconscious of a person, idealizing the world around him, idealizing the information that a person consumes. However, we must always remember that all people are deep, individual creatures with psychological and physical needs that not everyone is able to receive due to certain circumstances.
This is precisely the broad and deep thought that Sisy M Gomez lays out in her short film “Trust the Process”. In just over twenty minutes, Sisy tells us the very relevant story of a woman named Zoe who exists in two worlds. In one of which she is a happy blogger, and in the other she is a rather lonely and unhappy person, because these two concepts often go together, even though there are people who prefer loneliness.
First of all, I would like to note a well-built psychological portrait of the main character, which perfectly reflects the realities of our world and evokes closeness and sympathy in the viewer, because this can easily be imagined within the framework of the film, which means the viewer, willy-nilly, can put himself in the place of the main character of the project . Of course, the success of the whole process would not have been possible without the excellent acting of Claudia Valdés, who gives a very strong emotional performance that did not leave me indifferent, at least for me while watching.
In general, realism and closeness to the real world are the main advantages of this work. To live the story of the main character, you don’t have to imagine much, and all situations and scenes seem very close to the truth, which means that Sisy approached her work very responsibly and painstakingly.
Zoe conveys a relevant story for any person who is going through a phase of depression or loneliness. After watching this picture, I want to be a little more attentive to my friends and acquaintances, who may not be as joyful as they really are. Therefore, we always need to talk and devote time to those who need it, to those who are not indifferent to us.
Technically, of course, the work is not without flaws, but with a very modest budget, which is obvious here, all this is not particularly important, because often even the most expensive projects turn out to be empty inside, but Sisy managed to create a living picture that taps into emotions and makes you be more attentive to other people.
This is precisely the broad and deep thought that Sisy M Gomez lays out in her short film “Trust the Process”. In just over twenty minutes, Sisy tells us the very relevant story of a woman named Zoe who exists in two worlds. In one of which she is a happy blogger, and in the other she is a rather lonely and unhappy person, because these two concepts often go together, even though there are people who prefer loneliness.
First of all, I would like to note a well-built psychological portrait of the main character, which perfectly reflects the realities of our world and evokes closeness and sympathy in the viewer, because this can easily be imagined within the framework of the film, which means the viewer, willy-nilly, can put himself in the place of the main character of the project . Of course, the success of the whole process would not have been possible without the excellent acting of Claudia Valdés, who gives a very strong emotional performance that did not leave me indifferent, at least for me while watching.
In general, realism and closeness to the real world are the main advantages of this work. To live the story of the main character, you don’t have to imagine much, and all situations and scenes seem very close to the truth, which means that Sisy approached her work very responsibly and painstakingly.
Zoe conveys a relevant story for any person who is going through a phase of depression or loneliness. After watching this picture, I want to be a little more attentive to my friends and acquaintances, who may not be as joyful as they really are. Therefore, we always need to talk and devote time to those who need it, to those who are not indifferent to us.
Technically, of course, the work is not without flaws, but with a very modest budget, which is obvious here, all this is not particularly important, because often even the most expensive projects turn out to be empty inside, but Sisy managed to create a living picture that taps into emotions and makes you be more attentive to other people.
Trust the Process
2024 Yearly Run Participant
“Dear Forgiveness” by Lawrence Dumas is a very down-to-earth and original student project that is designed to resonate among those who are no strangers to family problems.
If we talk about the strengths of the film, then this is certainly the main message. The ability to forgive is a very strong super ability that not everyone has, especially at a young or even middle age. The breakdown of families is a pressing problem of humanity, which is unlikely to find a solution. On the contrary, the problem is only becoming more serious. There are different reasons, and indeed there is a situation in which “I’m sorry” alone will not be enough, and sometimes there can be no talk of forgiveness at all. However, where is the line between forgiveness and the ability to let go? Isn't this the same thing in certain situations?
“Dear Forgiveness” rather raises the issue head on and tells a situation where forgiveness is necessary in exactly the same way as a son’s understanding of his fathers and vice versa. The main character Jaden fell into a psychological hole due to a certain understatement in his relationship with his father, and in such cases, of course, the most important thing is to speak.
Sometimes words have extraordinary power, which can both heal and seriously hurt. In this case, conversation is simply necessary and Lawrence Dumas perfectly conveys his message through his short film. Throughout the film, close people push the main character to talk with his father, realizing that this could be a solution to many problems.
Of course, technically the project looks simple and really resembles student work, but this is definitely not a problem, but rather just a given. “Dear Forgiveness” is a good test piece that shows that Lawrence Dumas knows how to work with story and morality, so the young director has a great future ahead of him!
If we talk about the strengths of the film, then this is certainly the main message. The ability to forgive is a very strong super ability that not everyone has, especially at a young or even middle age. The breakdown of families is a pressing problem of humanity, which is unlikely to find a solution. On the contrary, the problem is only becoming more serious. There are different reasons, and indeed there is a situation in which “I’m sorry” alone will not be enough, and sometimes there can be no talk of forgiveness at all. However, where is the line between forgiveness and the ability to let go? Isn't this the same thing in certain situations?
“Dear Forgiveness” rather raises the issue head on and tells a situation where forgiveness is necessary in exactly the same way as a son’s understanding of his fathers and vice versa. The main character Jaden fell into a psychological hole due to a certain understatement in his relationship with his father, and in such cases, of course, the most important thing is to speak.
Sometimes words have extraordinary power, which can both heal and seriously hurt. In this case, conversation is simply necessary and Lawrence Dumas perfectly conveys his message through his short film. Throughout the film, close people push the main character to talk with his father, realizing that this could be a solution to many problems.
Of course, technically the project looks simple and really resembles student work, but this is definitely not a problem, but rather just a given. “Dear Forgiveness” is a good test piece that shows that Lawrence Dumas knows how to work with story and morality, so the young director has a great future ahead of him!
Dear Forgiveness
2024 Yearly Run Participant
“Three Days Gone by Scott McCullough is, first of all, an original crime project in which there is a place for drama, humor, gangster dialogue and police investigations. Scott put all this into a twenty-minute film, which turned out to be very intense and dynamic, despite the lack of action in its original form. If you take the project apart, then of course you can easily notice all the inherent disadvantages that exist in any independent project without proper financial support.
These are always certain technical nuances that make no sense to focus on. This is because the merits of the picture are much more convincing. I would like to note the acting tandem of Christopher Backus & Patrick J. Adams, who look very harmonious, and their story and emotional profile are well developed by the writers, which makes them living characters that you want to believe. Another advantage I would like to note is the camera work, which matches the tone of the picture; the camera is not static, it moves along with the plot, creating dynamics, which is very important for not the most assiduous viewers. Among other positive aspects of the film, I would include a very cheerful introduction and opening credits to the driving track of the artist “D Fine Us,” which immediately sets the right tone for the film.
To summarize, the Scott McCullough project probably turned out exactly as the author intended it, at least ideologically and stylistically. Yes, technically there are nuances in the film that can and should be corrected, but with proper financial support, these are easily solvable tasks, so I would love to see how Scott copes with these difficulties in the future, for example in a feature-length project!
These are always certain technical nuances that make no sense to focus on. This is because the merits of the picture are much more convincing. I would like to note the acting tandem of Christopher Backus & Patrick J. Adams, who look very harmonious, and their story and emotional profile are well developed by the writers, which makes them living characters that you want to believe. Another advantage I would like to note is the camera work, which matches the tone of the picture; the camera is not static, it moves along with the plot, creating dynamics, which is very important for not the most assiduous viewers. Among other positive aspects of the film, I would include a very cheerful introduction and opening credits to the driving track of the artist “D Fine Us,” which immediately sets the right tone for the film.
To summarize, the Scott McCullough project probably turned out exactly as the author intended it, at least ideologically and stylistically. Yes, technically there are nuances in the film that can and should be corrected, but with proper financial support, these are easily solvable tasks, so I would love to see how Scott copes with these difficulties in the future, for example in a feature-length project!
Three Days Gone: Based on the Life of Lucas Snow
2023 Yearly Run Participant
“La tête dans les étoiles” by Timo Paris is an exceptional experimental film art piece that revolves around shapes, including human bodies, and their interaction with each other. Throughout 12 minutes audience can watch, observe and be amazed by incredible art that is created by forming unique shapes and their interaction between them.
It is inspiring how geometry was used in the film. Through such simple yet strong shapes created by specific angles teach audience to find new points of view. This is an incredibly philosophical statement created by Timo Paris: to look further in shapes, objects and life.
The film’s foundation is human’s activity, sound and camera work All three disciplines are executed incredibly well. Human’s movement is somewhat captivating as a ballet or another professionally choreographed dance: every move has a meaning behind it. It is obvious how accurate every shot is, the camerawork seems flawless. Sound design creates depth and adds color to the imagery that was already created by a director of photography. It is inspiring how each discipline work together perfectly.
Although “La tête dans les étoiles » raises more questions than answering them, it is captivating, inspiring and exciting film that can provoke a lot of ideas. It is exciting to watch such short films.
It is inspiring how geometry was used in the film. Through such simple yet strong shapes created by specific angles teach audience to find new points of view. This is an incredibly philosophical statement created by Timo Paris: to look further in shapes, objects and life.
The film’s foundation is human’s activity, sound and camera work All three disciplines are executed incredibly well. Human’s movement is somewhat captivating as a ballet or another professionally choreographed dance: every move has a meaning behind it. It is obvious how accurate every shot is, the camerawork seems flawless. Sound design creates depth and adds color to the imagery that was already created by a director of photography. It is inspiring how each discipline work together perfectly.
Although “La tête dans les étoiles » raises more questions than answering them, it is captivating, inspiring and exciting film that can provoke a lot of ideas. It is exciting to watch such short films.
La tête dans les étoiles
2023 Yearly Run Participant
“Bunk” by Samuel Koehler is a great student short film about toxic roommates and how to work and how to interact with them. It is built around 80s sitcom aesthetic that works perfectly with the story.
All actors do a pretty good job. I bet all of them are students, and it works for their benefit. A long time ago, a great artist stated that artists should tell stories they know from personal experience in order to create honest art. Hence, Samuel and his colleagues execute such approach in “Bunk”, and it feel extremely honest.
The sitcom style is both hilarious and ideal for such story. The funky bass guitar as a soundtrack, the aspect ratio, coloring and a feeling of a VHS cassette create such vibe. However, I wish there were a little more edits between bits. Seems like it would add more to the aesthetic.
There are no major issues in the story: it has rhythm, humor, approach and depth. However, I wish there were few more scenes, to make audience dive a little deeper in atmosphere.
Besides that, it is a great short film. It feels like the director clearly had a concept in mind, and he executed it. The result is satisfying, amusing and as honest as it can get. I wish all the luck to Samuel and excited to see his future works
All actors do a pretty good job. I bet all of them are students, and it works for their benefit. A long time ago, a great artist stated that artists should tell stories they know from personal experience in order to create honest art. Hence, Samuel and his colleagues execute such approach in “Bunk”, and it feel extremely honest.
The sitcom style is both hilarious and ideal for such story. The funky bass guitar as a soundtrack, the aspect ratio, coloring and a feeling of a VHS cassette create such vibe. However, I wish there were a little more edits between bits. Seems like it would add more to the aesthetic.
There are no major issues in the story: it has rhythm, humor, approach and depth. However, I wish there were few more scenes, to make audience dive a little deeper in atmosphere.
Besides that, it is a great short film. It feels like the director clearly had a concept in mind, and he executed it. The result is satisfying, amusing and as honest as it can get. I wish all the luck to Samuel and excited to see his future works
Bunk
2023 Yearly Run Participant
“Embrace” by Axel Zeltser is full of energy horror film that tells a full story within 2 minutes, which is exciting. Through great editing, music and visual effects, “Embrace” is unique, specific and feels like an idea that could be developed into something bigger than a short film.
It is extremely pleasant to see such montage that creates a specific atmosphere to the film. Repetition can give audience different feelings, and “Embrace” does it perfectly. It is also vital to note how sound in “Embrace” fulfilling the idea the director was trying to execute. As well as editing, volume and amount of repetition work perfectly for the story.
Colors bring so much juice to work. From clothing to streetlights, everything adds depth to “Embrace”. The main character also has plenty of characteristics that are revealed in such short period of time, which is admirable.
The villain, the terror of “Embrace” is executed well: visual effects supervised can be proud of the work they achieved. It is also exciting how audience cannot really tell how the creature fully looks like; such approach brings more horror vibes.
Overall, “Embrace” is a great short film. Although every idea of the story is told in such period of time, it shows more than many full feature films. Amazing.
It is extremely pleasant to see such montage that creates a specific atmosphere to the film. Repetition can give audience different feelings, and “Embrace” does it perfectly. It is also vital to note how sound in “Embrace” fulfilling the idea the director was trying to execute. As well as editing, volume and amount of repetition work perfectly for the story.
Colors bring so much juice to work. From clothing to streetlights, everything adds depth to “Embrace”. The main character also has plenty of characteristics that are revealed in such short period of time, which is admirable.
The villain, the terror of “Embrace” is executed well: visual effects supervised can be proud of the work they achieved. It is also exciting how audience cannot really tell how the creature fully looks like; such approach brings more horror vibes.
Overall, “Embrace” is a great short film. Although every idea of the story is told in such period of time, it shows more than many full feature films. Amazing.
Embrace
2023 Yearly Run Participant
“Mara: The Seal Wife” by Uisdean Murray is a profound fantasy/drama film that explores human’s approach to past, dignity and distance. With the help of great cinematography and actors, the film brings unique and distinctive emotions.
It is crucial to note the camera work. Unusual angles and long shots create a very specific atmosphere. It creates a feeling of a story happening somewhere far from audience. Such aspects as lighting, coloring and certain shots create the imagery of distance, loneliness and confusion. Seems like the director of photography is an incredibly skilled artist who reveals story’s details through such imagery.
The director also creates incredible atmosphere of a local world. Although there are not too many extraordinary locations, they are beautiful, full of character and unique. It is a great example how directors could bring life to any location, as long as it works with the story.
The plot could be confusing at times, but the ending answers most questions a viewer could have. “Mara: The Seal Wife” is an incredibly high-level film and an example of great execution by every department a film production crew has.
It is crucial to note the camera work. Unusual angles and long shots create a very specific atmosphere. It creates a feeling of a story happening somewhere far from audience. Such aspects as lighting, coloring and certain shots create the imagery of distance, loneliness and confusion. Seems like the director of photography is an incredibly skilled artist who reveals story’s details through such imagery.
The director also creates incredible atmosphere of a local world. Although there are not too many extraordinary locations, they are beautiful, full of character and unique. It is a great example how directors could bring life to any location, as long as it works with the story.
The plot could be confusing at times, but the ending answers most questions a viewer could have. “Mara: The Seal Wife” is an incredibly high-level film and an example of great execution by every department a film production crew has.
Mara: The Seal Wife
2023 Yearly Run Participant
“A Tale of 2 Cities” by Destinee Easley is a great short film with a straight story that can touch pretty much any human with a heart. It is full of beauty that is made from purity and simplicity of the story.
One of the most fascinating things regarding the film is how it is shot. The film is almost done with close ups only, making audience feel intimate with characters. Most stories regarding negative street influence feel distant or not authentic. Whereas with “A Tale of 2 Cities”, each character is fully revealed in such short timing, which is exceptional. I believe close up technique really helped to develop and reveal characters to the audience.
All actors did an impressive job: they feel natural and real. Dialogs are also full of juice, and it is impressive how little number of words can portray a single character. Great job.
Honestly, there is nothing negative I can say regarding “A Tale of 2 Cities”: it is simple yet profound touching story that is told the way it should be told. I wish nothing but the best to Destinee Easley, she has awesome ideas and ways to execute them. Great job, once again!
One of the most fascinating things regarding the film is how it is shot. The film is almost done with close ups only, making audience feel intimate with characters. Most stories regarding negative street influence feel distant or not authentic. Whereas with “A Tale of 2 Cities”, each character is fully revealed in such short timing, which is exceptional. I believe close up technique really helped to develop and reveal characters to the audience.
All actors did an impressive job: they feel natural and real. Dialogs are also full of juice, and it is impressive how little number of words can portray a single character. Great job.
Honestly, there is nothing negative I can say regarding “A Tale of 2 Cities”: it is simple yet profound touching story that is told the way it should be told. I wish nothing but the best to Destinee Easley, she has awesome ideas and ways to execute them. Great job, once again!
A Tale of 2 Cities
2023 Yearly Run Participant
“Sweetest Vacation” by Ryan Stevens Harris is a trippy comedic short film that contains a single scene with a person having a bad trip. Or is it a good one?
To be honest, I was confused. I feel like the director was trying to achieve that goal, and it worked. Confusion goes throughout the entire film, and the idea of a person having a bad trip comes right around the end. Hopefully, this short film could be a scene from a bigger project, which would provide more answers.
Camerawork indeed works with the story: certain shots felt confusing because there were out of focus. This concept flows incredibly with the concept. The same way locations work for the story’s benefit: there are either grimy or extremely saturated, just like any trip would be.
However, the humor is subtle and slips pretty much under the radar. I am a big fun of smooth unnoticed humor, but it was extremely hard to find such irony or satire in it. Although, this is my personal opinion, and comedy is super subjective.
Overall, Sweetest Vacation shows great skills Ryan has he can tell a story, create visual approach to it and fulfill his idea. I wish nothing but the best to him in his future projects.
To be honest, I was confused. I feel like the director was trying to achieve that goal, and it worked. Confusion goes throughout the entire film, and the idea of a person having a bad trip comes right around the end. Hopefully, this short film could be a scene from a bigger project, which would provide more answers.
Camerawork indeed works with the story: certain shots felt confusing because there were out of focus. This concept flows incredibly with the concept. The same way locations work for the story’s benefit: there are either grimy or extremely saturated, just like any trip would be.
However, the humor is subtle and slips pretty much under the radar. I am a big fun of smooth unnoticed humor, but it was extremely hard to find such irony or satire in it. Although, this is my personal opinion, and comedy is super subjective.
Overall, Sweetest Vacation shows great skills Ryan has he can tell a story, create visual approach to it and fulfill his idea. I wish nothing but the best to him in his future projects.
Sweetest Vacation
2023 Yearly Run Participant
“So What Did We Learn Today, Georgina?” by Franco Volpi is an amazing, humorous and thought-provoking short film that shows depth this director can achieve within 5 minutes. It is a relatable, hilarious and realistic story that brings joy to almost anyone who watched it.
The story by itself is incredibly simple, which inspires me greatly: a child comes from school and asks mother a question that cannot be answered to a little girl. I believe only masters can tell such simple stories with such irony and depth, and Franco achieves it like no other. There is a plethora of close-up shots that bring more details of characters, there are both are fully revealed in such short time. Outstanding.
There was one shot that confused me, which was a close-up to a calendar that showed the time the story set (1990s). I was not sure how it is relevant to the story, but I am sure there is something to it. Seems like the director would not do it without a cause.
The film flows like butter, and there is nothing to critique about it. Actresses, their movements, the set, music, and many other aspects of this film work together like wonder. Franco Volpi is an exceptional director, and he should be writing and directing big budget films. He deserves it like nobody else.
The story by itself is incredibly simple, which inspires me greatly: a child comes from school and asks mother a question that cannot be answered to a little girl. I believe only masters can tell such simple stories with such irony and depth, and Franco achieves it like no other. There is a plethora of close-up shots that bring more details of characters, there are both are fully revealed in such short time. Outstanding.
There was one shot that confused me, which was a close-up to a calendar that showed the time the story set (1990s). I was not sure how it is relevant to the story, but I am sure there is something to it. Seems like the director would not do it without a cause.
The film flows like butter, and there is nothing to critique about it. Actresses, their movements, the set, music, and many other aspects of this film work together like wonder. Franco Volpi is an exceptional director, and he should be writing and directing big budget films. He deserves it like nobody else.
So What Did We Learn Today, Georgina?
2023 Yearly Run Participant
“Findings” by Kristina Schippling is a very unorthodox interdisciplinary film that touches on a plethora of emotions throughout a dialog-less short film. It is a coherent story that captures audience through minimalistic approach.
There is always a certain beauty in silent films. Telling a story though motion picture is a fine craft that not every film director is capable of doing. Kristina does it well, even in the moments when the story becomes harder for viewers understanding. Although they are probably open for interpretations, and such detail makes the plot stronger.
The imagery is also there: with such minimalistic approach, “Findings” proves that plain imagination can provoke thoughts. The «house» presented in the film, which is obviously handcrafted, creates a palette of ideas and dramaturgy, especially being such small art piece. Furthermore, there are more ideas behind the house being so small.
Overall, this a great short film that can open some discussions between viewers, and such achievement is pursued by many directors. It is exciting to see new ideas from Kristina in the future.
There is always a certain beauty in silent films. Telling a story though motion picture is a fine craft that not every film director is capable of doing. Kristina does it well, even in the moments when the story becomes harder for viewers understanding. Although they are probably open for interpretations, and such detail makes the plot stronger.
The imagery is also there: with such minimalistic approach, “Findings” proves that plain imagination can provoke thoughts. The «house» presented in the film, which is obviously handcrafted, creates a palette of ideas and dramaturgy, especially being such small art piece. Furthermore, there are more ideas behind the house being so small.
Overall, this a great short film that can open some discussions between viewers, and such achievement is pursued by many directors. It is exciting to see new ideas from Kristina in the future.
Findings
2023 Yearly Run Participant
"Tap" by Vanessa M.H. Powers is a short suspense film that revolves around a family of a father and a son who recently lost mother. Although there are a lot of notable details of the film, some bits were a bit confusing.
Actors did an amazing job, both of them were well-written and their interaction felt natural. It creates a small yet noticeable confusion within the family, and how father is trying to be a part of a son’s life. It also crucial to point out camera work: there were interesting angles, and it is pleasant to see few-shots scene without a lot of montage.
Nevertheless, the story needs a little bit of work, in my opinion. It felt like some parts of the story were not revealed hence the feeling of missing key points in the story. Also, the escalation was extremely rapid: I am not sure if that was the concept, but it gave me an abrupt feeling. Even though the ending makes sense and finishes the story, I wish there were more chapters of the story in order for it to be way more cohesive.
Overall, this is a good example of great independent film that just needs little tweaks in order to be marvelous. The motivation, actors’ interaction, shot and style of filmmaking is mature and professional.
Actors did an amazing job, both of them were well-written and their interaction felt natural. It creates a small yet noticeable confusion within the family, and how father is trying to be a part of a son’s life. It also crucial to point out camera work: there were interesting angles, and it is pleasant to see few-shots scene without a lot of montage.
Nevertheless, the story needs a little bit of work, in my opinion. It felt like some parts of the story were not revealed hence the feeling of missing key points in the story. Also, the escalation was extremely rapid: I am not sure if that was the concept, but it gave me an abrupt feeling. Even though the ending makes sense and finishes the story, I wish there were more chapters of the story in order for it to be way more cohesive.
Overall, this is a good example of great independent film that just needs little tweaks in order to be marvelous. The motivation, actors’ interaction, shot and style of filmmaking is mature and professional.
TAP
2023 Yearly Run Participant
“Organic” by Egor Subbotin is a full of nature and pure beauty short film telling about results and complications humans bring to the nature. Through beautiful frames, audience witness an obsolete beauty of natural creation and how human life affect it.
Unlike humans, nature is very cinematic and organic (no pun intended) to the camera. It only requires filmmakers to capture it. “Organic” does it exceptionally: each shot is full of color, depth and story. “Organic” also brings crucial art of storytelling through subtitles: just like in silent films, by adding little sentences to motion picture it reveals the full story, adding to the visual part of it. Outstanding.
Another admirable aspect of the film is soundtrack. Unlike many other documentaries, original soundtrack of “Organic” flows with the story and imagery of the film, adding more depth and context to it. It is extremely important regarding films with no voiceovers. “Organic” does it incredibly. Cooper Myers, the composer of the film, did an exceptional job.
“Organic” is a beautiful film from inside out. The story, imagery, soundtrack, each component of it creates a perfect symphony conducted by a skilled conductor. I wish Egor more ideas to come, and excited to see his future projects.
Unlike humans, nature is very cinematic and organic (no pun intended) to the camera. It only requires filmmakers to capture it. “Organic” does it exceptionally: each shot is full of color, depth and story. “Organic” also brings crucial art of storytelling through subtitles: just like in silent films, by adding little sentences to motion picture it reveals the full story, adding to the visual part of it. Outstanding.
Another admirable aspect of the film is soundtrack. Unlike many other documentaries, original soundtrack of “Organic” flows with the story and imagery of the film, adding more depth and context to it. It is extremely important regarding films with no voiceovers. “Organic” does it incredibly. Cooper Myers, the composer of the film, did an exceptional job.
“Organic” is a beautiful film from inside out. The story, imagery, soundtrack, each component of it creates a perfect symphony conducted by a skilled conductor. I wish Egor more ideas to come, and excited to see his future projects.
Organic
Award Winner Winter 2023 Program
Agrinoui” by Alexis Chaviaras is a perfect example of how animation film can be mature, enlightening, inspiring and full of subtle and smooth humor for both children and adults.
A great way of approaching 3D animation in this short animation film is creating familiar yet refreshing look of creature interactions. There is something in each character that captivates, inspires and make audience member smile and feel positive energy. Humor in “Agrinoui” is universal: it is smooth yet playful, and sometimes there is a tiny bit of irony even in certain phrases. Amazing!
Also, not forget to mention, is the dramaturgy. Despite few flaws, it flows easily, and it shows main character’s growth in a short amount of time, which is an exceptional skill for a director. Furthermore, there is something moving in the story itself: it shows how to overcome failure, how to succeed and be happy about achieving success. Many people should watch it in order to breakthrough their emotional problems.
“Agrinoui” is a perfect example of a truly family friendly film. Both children and adults can find something for them there, and watching it is a lot of fun. Easy, refreshing and enlightening film that anyone could enjoy.
A great way of approaching 3D animation in this short animation film is creating familiar yet refreshing look of creature interactions. There is something in each character that captivates, inspires and make audience member smile and feel positive energy. Humor in “Agrinoui” is universal: it is smooth yet playful, and sometimes there is a tiny bit of irony even in certain phrases. Amazing!
Also, not forget to mention, is the dramaturgy. Despite few flaws, it flows easily, and it shows main character’s growth in a short amount of time, which is an exceptional skill for a director. Furthermore, there is something moving in the story itself: it shows how to overcome failure, how to succeed and be happy about achieving success. Many people should watch it in order to breakthrough their emotional problems.
“Agrinoui” is a perfect example of a truly family friendly film. Both children and adults can find something for them there, and watching it is a lot of fun. Easy, refreshing and enlightening film that anyone could enjoy.
Agrinoui
Honorable Mention Winter 2023 Program
“S. S. Robin” by. Camille Debiase is a deep drama script that focuses on a number of sociological issues humans deal every day. Despite the story being set in yearly 70s, the story is extremely easy to relate for any audience member.
The story revolving around adoption of a kid, and how interracial neighborhoods deal with racism, chauvinism and prejudice in general. This story could be told in almost any era of the 20th century, and it would still be something touching and enlightening. However, there are reasons why this story is based in the 70s and why it matters.
The 70s would bring enormous amount of cultural and historical juice to the story, which would make audience appreciate the story more. It is known that people do not reflect on modern times as the cultural phenomenon, and it takes time for people to see it that way. Hence, placing the story in the 70s creates unique imagery with cultural, historical and sociological references that would make audience dig deeper in the actual story.
It also creates enormous possibilities for many departments of film production to create unique atmosphere. Historical films challenge their creators to bring unique atmosphere in order to fascinate a viewer. Such era was colorful, innovative yet retrospective, with it’s own unique vibe a lot of people are trying to recreate today. Hence, it can become a reference to a lot of artists.
This story is full of potential, from dramaturgy to humor. It will indeed inspire a lot of people and raise important question modern society has to discuss.
The story revolving around adoption of a kid, and how interracial neighborhoods deal with racism, chauvinism and prejudice in general. This story could be told in almost any era of the 20th century, and it would still be something touching and enlightening. However, there are reasons why this story is based in the 70s and why it matters.
The 70s would bring enormous amount of cultural and historical juice to the story, which would make audience appreciate the story more. It is known that people do not reflect on modern times as the cultural phenomenon, and it takes time for people to see it that way. Hence, placing the story in the 70s creates unique imagery with cultural, historical and sociological references that would make audience dig deeper in the actual story.
It also creates enormous possibilities for many departments of film production to create unique atmosphere. Historical films challenge their creators to bring unique atmosphere in order to fascinate a viewer. Such era was colorful, innovative yet retrospective, with it’s own unique vibe a lot of people are trying to recreate today. Hence, it can become a reference to a lot of artists.
This story is full of potential, from dramaturgy to humor. It will indeed inspire a lot of people and raise important question modern society has to discuss.
The S.S. Robin
Official Selection Autumn 2023 Program
“Bars, Beer & Booze with Roberto Serrini” is a great documentary show pilot that talks about alcohol from social, historical and cultural point of view. Within 8 minutes, audience learns a great deal of information on the subject in a fun and easy-going way.
First of all, it is important for such documentary to have a charming host. Roberto Serrini is fun, easy going and fascinating alcohol expert, who is excited about the knowledge he is willing to share. It is as important as to be excited the subject in general. Also, he takes risk to find something new, something nobody has ever seen or experienced before, and it excites audience rapidly.
Second of all, animation adds another layer of depth to the show. It creates a somewhat timeless atmosphere, making viewers participate in historical moments that are being told in the series. Amazing.
Although there are few flaws in terms of sound quality, which can be fix easily, it is a great pilot for an exciting series that can be entertaining, educational and humorous at the same time. I am very excited about this project and can’t wait to see the actual series. Roberto Serrini absolutely has stories to tell, which means audience will get excited to hear them.
First of all, it is important for such documentary to have a charming host. Roberto Serrini is fun, easy going and fascinating alcohol expert, who is excited about the knowledge he is willing to share. It is as important as to be excited the subject in general. Also, he takes risk to find something new, something nobody has ever seen or experienced before, and it excites audience rapidly.
Second of all, animation adds another layer of depth to the show. It creates a somewhat timeless atmosphere, making viewers participate in historical moments that are being told in the series. Amazing.
Although there are few flaws in terms of sound quality, which can be fix easily, it is a great pilot for an exciting series that can be entertaining, educational and humorous at the same time. I am very excited about this project and can’t wait to see the actual series. Roberto Serrini absolutely has stories to tell, which means audience will get excited to hear them.
Bars Beer & Booze with Roberto Serrini
Honorable Mention Autumn 2023 Program
“Zu den Sternen” (To the Stars) by Nikolai Tegeler is an outstanding film that studies dignity, guilt and desperation. Having simple yet coherent and intricate plot, it shows many aspects of people’s past and how they deal with it.
One of the most important about the film is actor’s performance. Almost the entire film is shot in one room, which make audience focus on characters more than usual. These two fine actors, Günter Barton, and Florian Martens, show exceptional work with the script and their characters. Throughout the film audience can witness the progression within each other, along with interaction between them. This is outstanding and breathtaking, and because of such performances the film never gets dull.
The story is also written exceptionally. Every detail has a reason behind it, all twists are sharp and happen and at the right moment. The dramaturgy is also there, making the story progress in the specific and unique way. Outstanding.
Another positive aspect of “To the Stars” is number of props and how they are integrated to the story. These are not just objects for the sake of it, they help move the story forward, give clues about character’s background and their feelings.
Overall, this is a big, important, and inspiring piece of art. An amazing example of modern day independent film, where the story and the production is not huge, yet the director is able to tell a distinctive story with gratitude, grace and taste. I am fascinated by Nikolai Tegeler’s work.
One of the most important about the film is actor’s performance. Almost the entire film is shot in one room, which make audience focus on characters more than usual. These two fine actors, Günter Barton, and Florian Martens, show exceptional work with the script and their characters. Throughout the film audience can witness the progression within each other, along with interaction between them. This is outstanding and breathtaking, and because of such performances the film never gets dull.
The story is also written exceptionally. Every detail has a reason behind it, all twists are sharp and happen and at the right moment. The dramaturgy is also there, making the story progress in the specific and unique way. Outstanding.
Another positive aspect of “To the Stars” is number of props and how they are integrated to the story. These are not just objects for the sake of it, they help move the story forward, give clues about character’s background and their feelings.
Overall, this is a big, important, and inspiring piece of art. An amazing example of modern day independent film, where the story and the production is not huge, yet the director is able to tell a distinctive story with gratitude, grace and taste. I am fascinated by Nikolai Tegeler’s work.
Zu den Sternen
Award Winner Autumn 2023 Program
“For I Am Dead” by Patricia Delso Lucas is a unique short film that tells a story of boredom, fate, self-acceptance and death. Within 18 minutes, all these important issues are revealed through traditional film timing, editing and such unique scale.
This piece of art can be easily called timeless since people of all generations can relate to it. The main character is presented in a unique way, being petty, dreadful, devastating and disgusting at the same time. Only mature directors can pull off such complicated characters.
In terms of the production, it is incredibly pleasant film to watch. Locations, costume design, light work, and camera angles — all of these key points prove how sophisticated and professional this film is. Besides telling a complicated and thought-provoking story, audience can feel a very specific atmosphere, which is layered up with so many professional aspects.
It is important for the plot to give viewers the idea of what characters are the moment they appear on the screen. For I Am Dead is a perfect example of it: the exposition is set so perfectly, you understand and feel characters the moment they appear.
Overall, this is great, tasteful and inspiring piece of art. Patricia is a fabulous director and I am hoping we will see a full feature film from her soon. She deserves it like nobody else.
This piece of art can be easily called timeless since people of all generations can relate to it. The main character is presented in a unique way, being petty, dreadful, devastating and disgusting at the same time. Only mature directors can pull off such complicated characters.
In terms of the production, it is incredibly pleasant film to watch. Locations, costume design, light work, and camera angles — all of these key points prove how sophisticated and professional this film is. Besides telling a complicated and thought-provoking story, audience can feel a very specific atmosphere, which is layered up with so many professional aspects.
It is important for the plot to give viewers the idea of what characters are the moment they appear on the screen. For I Am Dead is a perfect example of it: the exposition is set so perfectly, you understand and feel characters the moment they appear.
Overall, this is great, tasteful and inspiring piece of art. Patricia is a fabulous director and I am hoping we will see a full feature film from her soon. She deserves it like nobody else.
For I Am Dead
Official Selection Winter 2023 Program
“The Last Earth” Station by Kathryn Radmall is an exquisite, futuristic, and cosmic script that shows unique world of Space and human interaction with it. Nonetheless, this story can be more relatable than any World stories since it touches on people and other creature communication, desires and wishes.
It is crucial for such cosmic stories to have its own world. “The Last Earth Station” deals with it like no other: the number of details elaborated in the script is outstanding. Although there could be references to other Space-themed films, the world the script provides to the reader is unique and unlike any other. It takes enormous amount of hard work and talent to place stories in such unconventional locations.
Another major part is how, despite being cosmic and all-around futuristic concepts, it is as human and touching as possible. It has all aspects of traditional film stories’ approach, including drama, humor and experiencing existence.
I believe Kathryn Radmall creates a unique script that will interest not only geeks, but broader audience, since there are so many layers to the story. I believe in “The Last Earth Station”.
It is crucial for such cosmic stories to have its own world. “The Last Earth Station” deals with it like no other: the number of details elaborated in the script is outstanding. Although there could be references to other Space-themed films, the world the script provides to the reader is unique and unlike any other. It takes enormous amount of hard work and talent to place stories in such unconventional locations.
Another major part is how, despite being cosmic and all-around futuristic concepts, it is as human and touching as possible. It has all aspects of traditional film stories’ approach, including drama, humor and experiencing existence.
I believe Kathryn Radmall creates a unique script that will interest not only geeks, but broader audience, since there are so many layers to the story. I believe in “The Last Earth Station”.
The Last Earth Station
Official Selection Winter 2023 Program
“Ferocious by Dimitri Devyatkin” is a very unique script telling a story about John Paul Jones and his adventures. Comparing to many other historical and adventures stories, “Ferocious” differs by many reasons.
One of the reasons it is unlike other stories audience seen before, characters are full of layers. There are no simple one-sided characters like a straight up villain or a regular hero, there is way more to it. Some of them lack dignity, whereas some of them are lousy, or funny, etc. This is a great example of people’s behavior in terms of history, since most stories about past eras show everyone with enormous amount of dignity or force. ‘Ferocious” is about people, with their desires and fears, passions and wishes; it is about them being human, just like everyone else.
Another important reason why “Ferocious” differ is how ambitious in terms of the scale it is. Indeed, it is an adventurous story, full of exciting locations, battles, and costumes. It sparked my imagination multiple times while I was reading it. If the number of details and imagery written in the script would be observed in the film itself, it can achieve a massive visual result as well.
Overall, this is exciting yet mature adventure script. Full of energetic and enlightening scenes, it can be a successful hit, since there are so many layers in such story.
One of the reasons it is unlike other stories audience seen before, characters are full of layers. There are no simple one-sided characters like a straight up villain or a regular hero, there is way more to it. Some of them lack dignity, whereas some of them are lousy, or funny, etc. This is a great example of people’s behavior in terms of history, since most stories about past eras show everyone with enormous amount of dignity or force. ‘Ferocious” is about people, with their desires and fears, passions and wishes; it is about them being human, just like everyone else.
Another important reason why “Ferocious” differ is how ambitious in terms of the scale it is. Indeed, it is an adventurous story, full of exciting locations, battles, and costumes. It sparked my imagination multiple times while I was reading it. If the number of details and imagery written in the script would be observed in the film itself, it can achieve a massive visual result as well.
Overall, this is exciting yet mature adventure script. Full of energetic and enlightening scenes, it can be a successful hit, since there are so many layers in such story.
FEROCIOUS
Official Selection Autumn 2022 Program
“Being A Dog” by Felix Swahn is an animated short film that tells a story of a person/dog named Tim and how he is trying to mature and become a better person. This short, animated film is one of the best things I have seen in such a long time. Despite one major flaw, it is unique, dark, and full of juice. It is a clear example of how dramatic animation can be.
First of all, the style of animation is incredible. It catches an easy instantly, being retrospective and futuristic at the same time. Besides it, such style adds layers to the story: it adds additional emotions to it, making it dark, dirty and very human. The style also combined with little nuances made in comic-style, and such combination is rare to observe. Animation is an ability to create imagery of the story from moving frames and Being A Dog does it miraculously.
The story is also captivating Tim deals with thoughts and emotions everyone can relate to, and it is crucial. Although, I believe one major flaw is the ending: if the entire film can be described as a build up to a certain catharsis, the ending failed to execute it. I wish there was a more open and thought-provoking ending, which could add more mystery to the story.
Besides that, it is an amazing work. Sophisticated but very natural, full of authenticity and drama, this short, animated film told more about characters than most films. It creates unique atmosphere; it is something I desire to watch again and again. Felix Swahn is a diamond in the rough, and I am sure his future projects will be as exciting as this one.
First of all, the style of animation is incredible. It catches an easy instantly, being retrospective and futuristic at the same time. Besides it, such style adds layers to the story: it adds additional emotions to it, making it dark, dirty and very human. The style also combined with little nuances made in comic-style, and such combination is rare to observe. Animation is an ability to create imagery of the story from moving frames and Being A Dog does it miraculously.
The story is also captivating Tim deals with thoughts and emotions everyone can relate to, and it is crucial. Although, I believe one major flaw is the ending: if the entire film can be described as a build up to a certain catharsis, the ending failed to execute it. I wish there was a more open and thought-provoking ending, which could add more mystery to the story.
Besides that, it is an amazing work. Sophisticated but very natural, full of authenticity and drama, this short, animated film told more about characters than most films. It creates unique atmosphere; it is something I desire to watch again and again. Felix Swahn is a diamond in the rough, and I am sure his future projects will be as exciting as this one.
Being A Dog
Official Selection Autumn 2022 Program
